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GOTO SaraGraduate School of Engineering / Department of ArchitectureAssistant Professor
Research activity information
■ Award■ Paper
- This paper is a part of the research to characterize and identify the architectural theory of Fumitaka Nishizawa (1915-1986) through his articles. The keywords were sorted out as items and examined from the viewpoint of hierarchy of the meaning. The first level items of his architectural theory are 【Architecture】, 【Garden】, and 【Relationship between Architecture and Gardens】. This paper is examining 《Ordinary》, 《Making Use of Tradition》 of 【Architecture】.Architectural Institute of Japan, May 2025, Journal of Architecture and Planning (Transactions of AIJ), 90(831) (831), 1112 - 1123, Japanese[Refereed]
- Mar. 2025, 日本建築学会計画系論文集, 90(829) (829), 393 - 404, Japanese中高一貫校建築作品の諸室およびフリー・スペースの面積・空間構成に関する研究[Refereed]Scientific journal
- Dec. 2024, 日本建築学会計画系論文集, 89(826) (826), 2509 - 2520, Japanese[Refereed]Scientific journal
- Sep. 2024, Proceedings 14th International Symposium on Architectural Interchanges in Asia, B-5-4, EnglishA Study on spatial composition and design methods in contemporary independent houses of the【Double-Skin Type】[Refereed]International conference proceedings
- Lead, Sep. 2024, Proceedings 14th International Symposium on Architectural Interchanges in Asia, B-15-6, EnglishA Study of the Architectural Theory on Color in the Discourses of Jun Itami[Refereed]International conference proceedings
- Sep. 2024, Proceedings 14th International Symposium on Architectural Interchanges in Asia, B-2-4, EnglishAnalysis of "YOHAKU" in Architectural Works Designed by Tadao Ando from 1977 to 1983 : A Study on the Concept of "YOHAKU" in Contemporary Architectural Works (Part 1)[Refereed]International conference proceedings
- Sep. 2024, Proceedings 14th International Symposium on Architectural Interchanges in Asia, B-25-2, EnglishStudy on Nishizawa Fumitaka's Japanese Garden Research and Measured Drawings: Through Comparison with Osamu Mori's Work[Refereed]International conference proceedings
- Lead, Oct. 2023, Designシンポジウム2023講演論文集, 203 - 210, Japaneseジョン・ポーソンの建築思想における【ミニマリズム】に関する研究―言説およびイメージコレクションに着目して―[Refereed]Symposium
- Oct. 2023, Designシンポジウム2023講演論文集, 279 - 285, Japanese中高一貫校建築作品における空間類型の抽出 「学校建築の大規模化・中層化」に対応する設計手法に関する研究[Refereed]Symposium
- Oct. 2023, Designシンポジウム2023講演論文集, 148 - 155, Japanese現代建築作品における「記憶」の概念の主題とその表象に関する研究 ─１９６８年以降の博物館・記念館・資料館の事例分析を通して─[Refereed]Symposium
- Oct. 2023, Designシンポジウム2023講演論文集, 148 - 155, Japaneseラファエル・モネオの1966 年-2021 年の建築思想と建築作品にみる 【タイポロジー】に関する研究[Refereed]Symposium
- Jan. 2023, 神戸大学大学院工学研究科 博士論文, Japanese伊丹潤の建築思想および建築作品に関する建築意匠論研究Doctoral thesis
- Dec. 2022, Proceedings 13th International Symposium on Architectural Interchanges in Asia, 13, 347 - 353, EnglishA Study on the Typology of Spatial Composition Forming a "Sense of Unity as a School Building" in Junior and Senior High Schools in Japan[Refereed]International conference proceedings
- Lead, Dec. 2022, Proceedings 13th International Symposium on Architectural Interchanges in Asia, 13, 676 - 683, EnglishA Study on the Relationship between Jun Itami’s Architectural Theory and “Mono-ha”[Refereed]International conference proceedings
- Lead, 日本建築学会, Dec. 2022, 日本建築学会住宅系研究報告会論文集, 17, JapaneseThe Theory on Houses in the Discourse of Jun Itami - From The Theory on Korean Villages and Houses to The Theory on Contemporary Houses -[Refereed]Scientific journal
- This paper is a part of the researches to characterize and identify the architectural theory of Jun Itami (1937-2011) through his articles. The keywords were sorted out as items and examined from the viewpoint of hierarchy of the meaning. The first level items of his architectural theory are 【Joseon period】, 【Korea】, and 【Contemporary Japan】. This paper is examining 《Architecture》that makes up【Contemporary Japan】.Lead, Architectural Institute of Japan, Sep. 2022, Journal of Architecture and Planning (Transactions of AIJ), 87(799) (799), 1774 - 1785, Japanese[Refereed]Scientific journal
- Lead, May 2022, JAPAN ARCHITECTURAL REVIEW, 5(3) (3), 319 - 330, English[Refereed]Scientific journal
- Lead, Mar. 2022, The Journal of the Asian Conference of Design History and Theory, (4) (4), 130 - 141, EnglishResearch on the Design Concept and Design Method at the PODO HOTEL by Jun Itami[Refereed]Symposium
- Lead, Jul. 2021, Designシンポジウム2021講演論文集, 74 - 80, Japanese伊丹潤の言説における朝鮮の美の思想に関する研究─柳宗悦の「悲哀の美」の思想に対する伊丹潤の見解に着目して─[Refereed]Symposium
- Lead, Architectural Institute of Japan, 2021, Journal of Architecture and Planning (Transactions of AIJ), 86(786) (786), 2189 - 2200, Japanese
This paper is a part of the researches to characterize and identify the architectural theory of Jun Itami (1937-2011) through all the currently available articles written by him. The keywords of the subjects were sorted out as a number of items and examined from the viewpoint of hierarchy of composition of the meaning by extracting important sentence. As the first level of his architectural thought, three items of 【Joseon period】, 【Korea】, 【Contemporary Japan】 were extracted. This paper is examining 《Nature》,《Human Spirit》, and 《City》 that make up【Contemporary Japan】. 《Nature》consists of the third level of three items of［Natural objects］, ［Natural environment］, and ［The role of nature］. ［Natural objects］ consists of the 4th level of four items of 〈Water〉, 〈Wood〉, 〈Stone〉, and〈Soil〉. ［Natural environment］ consists of the 4th level of seven items of 〈Magnificence〉, 〈Environment〉, 〈Face〉, 〈Light〉, 〈Wind〉, 〈Sound〉, and 〈Sky〉. ［The role of nature］ consists of the 4th level of five items of 〈Harmony〉, 〈Antagonist〉, 〈Fusion〉, 〈Coexistence〉, and 〈Multi-layered〉. 《Human spirit》 consists of the third level of five items of ［Perceptual structure］, ［Changing to the line of sight］, ［Art］, ［Drawing］, and ［Parthenon temple］. ［Drawing］ consists of the 4th level of five items of 〈Physicality〉, 〈Layering and blocking〉, 〈Primitive experience〉, 〈Tuning〉, and 〈The significance of contemporary drawing〉. 《City》 consists of the third level of two items of ［Life in the city］, and ［Architecture in the city］.
In 【Contemporary Japan】, industrialization and internationalization are progressing, various spatial and temporal boundaries are fading, everyday life and 《Architecture》 itself continue to change day by day. Human beings are being isolated from 《Nature》, 《Architecture》, and 《City》.
While presenting an awareness of the problem of 《City》, he examined various ways of the relationship between 《Nature》 and 《Architecture》, and found and explained the concept of 〈Face〉and［Perceptual structure］ in his own word.
[Refereed]Scientific journal - Lead, Architectural Institute of Japan, 2020, Journal of Architecture and Planning (Transactions of AIJ), 85(778) (778), 2795 - 2805, Japanese
This paper is a part of the researches to characterize and identify the architectural theory of Jun Itami (1937-2011) through all the currently available articles written by him. The keywords of the subjects were sorted out as a number of items and examined from the viewpoint of hierarchy of composition of the meaning by extracting important sentence. As the first level of his architectural thought, three items of【Joseon period】, 【Korea】, 【Contemporary Japan】were extracted. This paper is examining 【Korea】 consisted by the second level of two items of 《Nature》and 《Human spirit》, 《Village》, and《Architecture》,
《Nature》consists of the third level of three items of [Climate], [Natural Environment], and ［Garden］ [Natural Environment] consists of the 4th level of three items of 〈Mountain〉, 〈Rock〉, and 〈Light〉. ［Garden］, consists of the 4th level of two items of 〈Garden of private house〉 and 〈Secret garden〉.《Human》have not the third level items. 《Village》 consists of the third level of two items of [Relationship with nature], and [To contemporary city]. [Relationship with nature] consists of the 4th level of two items of 〈Integration with nature〉 and 〈Response to mountains〉. 《Architecture》 consists of the third level of three items of ［Private house］and ［Jongmyo Shrine］. ［Private house］ consists of the 4th level of eight items of 〈Coexistence with nature〉, 〈Reflection of life〉, 〈Fence〉, 〈Korean floor heater〉, 〈Connection inside and outside〉, 〈Eye movement〉, and 〈To contemporary house〉.［Jongmyo Shrine］consists of the 4th level of seven items of 〈Relationship with water〉, 〈Roof〉, 〈Eye movement〉, 〈Base〉, 〈Nothing〉, 〈Margin〉, and〈"Theater space"〉.
First, Itami spoke of 《Human spirit》 respect for 《Nature》 based on confucianism, and mentioned the 《Village》 where such people gathered and lived. There, we can see 〈Integration with nature〉 and 〈Response to mountains〉, and the 《Human spirit》was also observed there.
Next, he most discouraged discourse was about 《Architecture》 that was at the center of thought about 【Korea】. He observed ［Private house］ and explained the famous Korean traditional architecture, ［Jongmyo Shrine］ and 〈Secret garden〉.
There, we analyzed words such as 〈Nothing〉, 〈Margin〉, and 〈Theater space〉 that were used in his architectural works. He got what he could use for his own design activities from 【Korea】, and also considered future Japanese architecture by referring to these theories.
[Refereed] - Lead, Architectural Institute of Japan, Jun. 2019, Journal of Architecture and Planning (Transactions of AIJ), 84(760) (760), 1485 - 1495, Japanese
This paper is a part of the researches to characterize and identify the architectural theory of Jun Itami (1937-2011) through all the currently available articles written by him. The keywords of the subjects were sorted out as a number of items and examined from the viewpoint of hierarchy of composition of the meaning by extracting important sentence. As the first level of his architectural thought, three items of【Joseon period】, 【South Korea】, 【Modern Japan】 were extracted. This paper is examining 【Joseon period】 consisted by the second level of two items of 《Objects》and 《Spirit》.
《Objects》 consists of the third level of three items of [Livingware], [Artworks], and [Beauty of objects]. [Livingware] consists of the 4th level of two items of〈Furniture〉and〈Ceramics〉 . [Artworks] consists of the 4th level of two items of〈Buddha statues〉and 〈Folk paintings〉. 《Spirit》 consists of the third level of four items of ［Confucianism］, ［Lifestyle］, ［Study of Muneyoshi Yanagi］, and [Beauty of spirit]. ［Confucianism］ consists of the 4th level of five items of〈Courtesy〉, 〈Nature and culture〉, 〈Yin-Yang〉, 〈Anonymity〉, and〈Influence on housings〉. ［Lifestyle］consists of the 4th level of two items of 〈Culture of sitting〉 and 〈Influence on housings〉. ［Study of Muneyoshi Yanagi］, consists of the 4th level of two items of 〈Theory of sorrow〉 and 〈Theory of line and white of sorrow〉.
First, Itami observes [Livingware] and [Artworks], or 《Objects》of 【Joseon period】in his own daily life, so that he felt those unique beauties that were created from close relationships with people of the day, their lives, traditions and customs. These concepts and senses had a great influence on his architectural theory. And as [Beauty of objects], he pursued about the background of the formative beauty and existential beauty of the 《Objects》 of 【Joseon period】, and he made a mention of the 《Spirit》 of those who value a life with the nature of those days when they were produced and used the 《Objects》.
Next, as the《Spirit》of【Joseon period】, he found that the society and life were established on several fundamental concepts in the culture of ［Confucianism］ which was flowing under the people at the time. Regarding ［Lifestyle］, he said about the relationship between humans and nature. he also discussed the beauty of Korean unique line and white as [Consideration to Muneyoshi Yanagi].
In this way, in order to explore the root of the beauty of 《Objects》 created by people of 【Joseon period】, Itami pursued the 《Spirit》 of the people of those days. It can be said that the knowledge and sense of 【Joseon period】 obtained in this way became the basis of his architectural theory and driving force of building design activities.
[Refereed]Scientific journal
■ Lectures, oral presentations, etc.
- 日本建築学会近畿支部 建築論部会 令和６年度博士論文講演会, Dec. 2024伊丹潤の建築思想および建築作品に関する建築意匠論研究[Invited]Invited oral presentation
- 2024年度日本建築学会大会(関東)学術講演会, Aug. 2024, Japanese伊丹潤の言説における“ドローイング”に関する建築思想Oral presentation
- 令和6年度（2024年度）日本建築学会近畿支部研究報告会, Jun. 2024, Japanese伊丹潤の言説にみる“光”に関する建築思想Oral presentation
- 令和6年度（2024年度）日本建築学会近畿支部研究報告会, Jun. 2024, Japanese村野藤吾の言説にみる建築思想およびその変遷に関する研究Oral presentation
- 令和6年度（2024年度）日本建築学会近畿支部研究報告会, Jun. 2024, Japanese現代建築作品における「風景」の概念の主題とその表象に関する研究Oral presentation
- 令和6年度（2024年度）日本建築学会近畿支部研究報告会, Jun. 2024, Japanese中・高等学校建築作品における設計思想とその設計手法に関する研究 ─1968 年から 2022 年の現代建築作品を対象として─Oral presentation
- 令和6年度（2024年度）日本建築学会近畿支部研究報告会, Jun. 2024, Japanese柳澤孝彦の建築思想および建築作品に関する研究―劇場・美術館・記念館作品における【文化的公共性】に着目して―Oral presentation
- 令和5年度（2023年度）日本建築学会近畿支部研究報告会, Jun. 2023, Japaneseラファエル・モネオの1966年－2021年の建築思想と建築作品にみる【タイポロジー】に関する研究Oral presentation
- 令和5年度（2023年度）日本建築学会近畿支部研究報告会, Jun. 2023, Japaneseジョン・ポーソンの建築思想および建築作品における【ミニマリズム】に関する研究 －1987－2018年における言説・イメージコレクション・住宅作品に着目して－Oral presentation
- 令和5年度（2023年度）日本建築学会近畿支部研究報告会 2023年6月25日, Jun. 2023, Japaneseクロード・パランの建築思想・ドローイング作品・建築作品にみる【生きられる空間の開発】に関する研究Oral presentation
- 令和5年度（2023年度）日本建築学会近畿支部研究報告会, Jun. 2023, Japanese現代建築作品における「記憶」の概念の主題とその表象に関する研究 －1968年以降の博物館・記念館・資料館の事例分析を通して－Oral presentation
- 令和5年度（2023年度）日本建築学会近畿支部研究報告会, Jun. 2023, Japaneseパオロ・ソレリの1970年代の言説とドローイング作品にみる【Arcology】に関する研究Oral presentation
- 令和5年度（2023年度）日本建築学会近畿支部研究報告会, Jun. 2023, Japanese中・高等学校における「学舎としての一体性」の形成手法とその建築的意義に関する研究 その２：中高一貫校建築作品における空間構成の類型化に関する考察Oral presentation
- 令和5年度（2023年度）日本建築学会近畿支部研究報告会, Jun. 2023, Japanese中・高等学校における「学舎としての一体性」の形成手法とその建築的意義に関する研究 その１：中等教育課程の建築作品の学校種別・規模・竣工年代・階数に関する考察Oral presentation
- 令和4年度（2022年度）日本建築学会近畿支部研究報告会, Jun. 2022, Japanese『Breaking Ground』と『Edge of Order』にみられるダニエル・リベスキンドの建築思想と空間構成手法の研究Oral presentation
- 令和4年度（2022年度）日本建築学会近畿支部研究報告会, Jun. 2022, Japaneseスティーヴン・ホールの＜現象的建築＞の形成手法とその特性に関する研究及び設計提案Oral presentation
- 令和4年度（202年度）日本建築学会近畿支部研究報告会, Jun. 2022, Japanese伊東豊雄の建築思想と建築作品の変遷に関する研究 ―〈もうひとつの自然〉に着目して―Oral presentation
- 令和4年度（2022年度）日本建築学会近畿支部研究報告会, Jun. 2022, Japanese岸和郎の建築思想と空間構成手法に関する研究Oral presentation
- 令和4年度（2022年度）日本建築学会近畿支部研究報告会, Jun. 2022, Japanese伊丹潤の建築作品における素材・光・色彩・ものの特質について 「清水の家」に関する研究 その２Oral presentation
- 令和4年度（2022年度）日本建築学会近畿支部研究報告会, Jun. 2022, Japanese伊丹潤の建築作品における空間構成の特質について 「清水の家」に関する研究 その１Oral presentation
- 令和３年度地域創生に応える実践力養成ひょうご神戸プラットフォーム連絡会, Feb. 2022有野台団地等 再生・活用プロジェクト[Invited]Others
- 令和3年度（2021年度）日本建築学会近畿支部研究報告会, Jun. 2021, Japanese1984年以降の我が国における小学校建築の空間構成理論及び手法とその変遷に関する研究Oral presentation
- 令和3年度（2021年度）日本建築学会近畿支部研究報告会, Jun. 2021, Japanese安藤忠雄の建築思想と空間構成手法に関する研究─美術館・博物館建築における＜ミクロコスモスの追求＞と＜幾何学の解放＞に着目して─Oral presentation
- 令和3年度（2021年度）日本建築学会近畿支部研究報告会, Jun. 2021, Japaneseピーター・ズントーの建築思想および建築作品にする研究─＜Sachverhalt＞ の操作における＜Atmosphären＞の創出に着目して─Oral presentation
- 令和3年度（2021年度）日本建築学会近畿支部研究報告会, Jun. 2021, Japanese伊丹潤の言説における【李朝】に関する建築思想Oral presentation
- 平成30年度（2018年度）日本建築学会近畿支部研究報告会, Jun. 2018伊丹潤の建築思想および建築作品に関する研究
■ Research Themes