Research activity information

• Nov. 2018 Society for Ethnomusicology, Bruno Nettl Prize 2018, What the Doctor Overheard: Dr. Leopold Mueller's Account of Music in Early Meiji Japan

  TERAUCHI NAOKO

  Recognized an outstanding publication contributing to or dealing with the history of the field of ethnomusicology

  International society

• An Introduction to Genealogies of the Momijiyama-gakunin (Gagaku Musicians in Edo): Focusing on Documents “Kaden” and “Kaden ichiranki” Preserved in Tōgi Kanenaga Family

  TERAUCHI Naoko

  Lead, Mar. 2023, Kokusai bunkagaku kenkyu, (59) (59), 1 - 33, Japanese

  Link to Kobe Univ. Repository (Kernel)


• Compilation of the gagaku book "Komashi Shiroku" in relation with Arai Hakuseki and Korean delegation in 1711

  Lead, Mar. 2023, Nihon bunkaron nenpo, (26) (26), 15 - 60, Japanese

  Research institution

  Link to Kobe Univ. Repository (Kernel)


• A study on the musical characteristics of modern miko-kagura (shrine maiden dance): focusing on “Yakumo-mai,” “Suzu-mai,” and “Urayasu-no-mai” created by Ôno Tadatomo

  TERAUCHI Naoko

  Lead, Jul. 2022, 国際文化学研究, (58) (58), 1 - 58, Japanese

  Research institution

  Link to Kobe Univ. Repository (Kernel)


• Gagaku practice in Mikawa Province: from Nishio to Hekinan

  TERAUCHI Naoko

  Lead, Mar. 2022, Nihon bunkaron nenpo, (日本文化論年報) (日本文化論年報), 13 - 36, Japanese

  Research institution

  Link to Kobe Univ. Repository (Kernel)


• A study on the musical structure of the Yamato-uta songs of Kasuga-taisha shrine: focusing on the notations preserved in a gagaku musician Higashi family in Nara

  TERAUCHI Naoko

  Lead, Feb. 2022, Kokusai Bunkgaku Knekyu, (57) (57), 1 - 36, Japanese

  Research institution

  Link to Kobe Univ. Repository (Kernel)


• Gagaku musicians' survival in the Meiji period: a case study of Higashi family's activity in Nara

  TERAUCHI Naoko

  Mar. 2021, Kokusai bunkagaku kenkyu, (55) (55), 39 - 76, Japanese

  Scientific journal

  Link to Kobe Univ. Repository (Kernel)


• 'Discovery' of a saibara song "Sakurabito" in Nagoya: the creation of local gagaku tradition

  TERAUCHI Naoko

  Mar. 2021, NIhon bunkaron nenpo, (24) (24), 35 - 49, Japanese

  Scientific journal

  Link to Kobe Univ. Repository (Kernel)


• Development of a city and its musical circumstance: the activities of craftsmen and merchants of musical instruments in the modern period of Nagoya

  TERAUCHI Naoko

  Mar. 2020, 日本文化論年報, (23) (23), 31 - 53, Japanese

  Research institution


• A study on the sacred dance daidaikô-kagura at Tsushima-jinja shrine: from the viewpoint of‘ locality’ and‘ centralization’ of performing arts

  TERAUCHI Naoko

  Dec. 2019, 国際文化学研究, (53) (53), 1 - 36, Japanese

  Research institution


• 江戸城における舞楽上演の記録--大英博物館蔵『舞楽之圖』と画家の眼

  TERAUCHI NAOKO

  神戸大学大学院国際文化学研究科日本学コース, Mar. 2019, Nihon Bunkaron Nenpo, (22) (22), 9 - 44, Japanese

  Scientific journal

  Link to Kobe Univ. Repository (Kernel)


• Filming a traditional performing art: a cultural film "Bugaku" produced by Kokusai Bunka Shinkokai (KBS)

  TERAUCHI NAOKO

  Graduate School of Intercultural Studies, Dec. 2018, Journal of Intercultural Studies, (51) (51), 1 - 20, Japanese

  Research institution

  Link to Kobe Univ. Repository (Kernel)


• ‘Be a costume hanger’: the aesthetics of imperial bugaku dance of Japan

  TERAUCHI NAOKO

  Dec. 2017, Journal of intercultural studies, (49) (49), 83 - 103, English

  Research institution

  Link to Kobe Univ. Repository (Kernel)


• 知と技の伝播と共有〜美濃高須の豪商吉田家の文化活動

  TERAUCHI NAOKO

  神戸大学大学院国際文化学研究科日本学コース, Mar. 2017, Nihon bunkaron nenpo, (20) (20), 1 - 42, Japanese

  Research institution


• 一八世紀前半における武家への雅楽の広がり〜豊前中津・田渕家史料より

  TERAUCHI NAOKO

  中津市歴史民俗資料館分館, Mar. 2017, 中津市歴史民俗資料館分館 医家史料館叢書(学芸の諸相 II), (XVI) (XVI), 1 - 41, Japanese

  [Invited]

  Research institution


• Sounds of 'war and peace': new bugaku pieces "Yukyu" and "Showaraku" created for the Kigen nisen roppyakunen in 1940

  TERAUCHI NAOKO

  東洋音楽学会 ; [1936]-, Aug. 2016, Toyo ongeku kenkyu, (81) (81), 1 - 24, Japanese

  [Refereed]

  Scientific journal


• Interview with Robert Garfias

  TERAUCHI NAOKO

  神戸大学大学院国際文化学研究科, Jul. 2016, Journal of intercultural studies, (46) (46), 91 - 120, English

  Research institution

  Link to Kobe Univ. Repository (Kernel)


• 江戸時代の雅楽の伝承〜楽壇と楽人のアイデンティティの観点から

  TERAUCHI NAOKO

  明治聖徳記念学会, Nov. 2015, 明治聖徳記念学会紀要, (52) (52), 166 - 187, Japanese

  [Invited]

  Scientific journal


• Gagaku crossing boundaries; Japanese traditional music in the ethnomusicological programs at universities abroad

  TERAUCHI NAOKO

  神戸大学大学院国際文化学研究科, Jul. 2015, Journal of intercultural studies, (44) (44), 1 - 28, Japanese

  Research institution

  Link to Kobe Univ. Repository (Kernel)


• Gagaku tradition in Nagoya: from late Edo to Meiji periods

  TERAUCHI NAOKO

  Japanology course, Graduate School of Intercultural Studies, Kobe University, Mar. 2015, NIhon bunkaron nenpô, (18) (18), 17 - 53, Japanese

  Research institution

  Link to Kobe Univ. Repository (Kernel)


• A study gagaku musicians' economic activities as feudal lords: referring to the newly discovered documents of Shimogawara family in Heguri town

  TERAUCHI NAOKO

  Graduate School of Intercultural Studies, Kobe University, Jan. 2015, Journal of Intercultural Studies, (43) (43), 47 - 101, Japanese

  Research institution

  Link to Kobe Univ. Repository (Kernel)


• Interview with Robert Garfias

  TERAUCHI NAOKO

  Graduate School of Intercultural Studies, Japanology course, Mar. 2014, Nihon bunkaron nenpôn, (17) (17), 41 - 75, Japanese

  Research institution


• A study on a contemporary ballet piece "Kaguyahime": how performers recognize Japanese sounds

  TERAUCHI NAOKO

  Graduate School of Intercultural Studies, Dec. 2013, Journal of Intercultural Studies, (41) (41), 55 - 85, Japanese

  Research institution

  Link to Kobe Univ. Repository (Kernel)


• A study on "Einige Notizen über japanische Musik" written by Benjamin Karl Leopold Müller

  TERAUCHI NAOKO

  Graduate School of Intercultural Studies, Jul. 2013, Journal of Intercultural Studies, (40) (40), 25 - 72, Japanese

  Research institution

  Link to Kobe Univ. Repository (Kernel)


• A document of the revival of Gion-rinji-sai festival in 1865: focusing on performing arts

  TERAUCHI NAOKO

  Graduate School of Intercultural Studies, Japanology course, Mar. 2013, NIhon bunkaron nenpo, 15, 16 - 43, Japanese

  Research institution

  Link to Kobe Univ. Repository (Kernel)


• Family lineage and musical tradition in the Edo period's gagaku: focusing on mnemonic sounds of ryuteki and hichiriki

  TERAUCHI NAOKO

  Graduate School of Intercultural Studies, Dec. 2011, Journal of Intercultural Studies, 37, 44 - 94, Japanese

  Research institution

  Link to Kobe Univ. Repository (Kernel)


• The musical treatise Ryuteki suien no koto and the schools of the ryuteki flute tradition in the early Edo period

  TERAUCHI Naoko

  Kobe University, Jul. 2010, Kokusai bunkagaku kenkyu, 34:1-43, 1 - 43, Japanese

  Research institution

  Link to Kobe Univ. Repository (Kernel)


• Another gagaku tradition: Garyokai and modern period of Osaka

  TERAUCHI, Naoko

  Mar. 2009, NIhon bunkaron nenpô, 12:1-22, Japanese

  Research institution


• Tempo and phrasing of the gagaku in 1940s: focusing on the 78-rpm records 'The Album of Japanese Music' produced by Kokusai Bunka Shinkokai

  TERAUCHI, Naoko

  This paper examines the musical practice of gagaku, the royal court music of Japan, in the early 1940s, which follows an essay of the author published in 2002, discussing on the gagaku recording in 1903. Recently, several old wax cylinders or 78-rpm recor

  神戸大学大学院国際文化学研究科, Jul. 2008, Journal of cross-cultural studies, 30:1-29, 1 - 29, Japanese

  Research institution

  Link to Kobe Univ. Repository (Kernel)


• Activities of Gagaku fuky_kai: the discourses of 'stagnation' and 'dissemination' of gagaku

  TERAUCHI, Naoko

  神戸大学, Mar. 2007, 日本文化論年報, 10, 47-75, 47* - 75*, Japanese

  Research institution


• A challenge to the gagaku tradition: the 'reconstruction' project of National Theater Japan

  TERAUCHI, Naoko

  Gagaku 雅楽, which is the oldest genre of Japanese traditional music preserved in the Court rituals, has experienced a rapid and drastic change after 1970s. This article will study the new movements of gagaku as artistic music by analyzing the National Theatre's activities in the last four decades and evaluate them in the history of gagaku and western contemporary artistic music. There are three new streams in gagaku for a wider public appreciation after 1970s ; 1) surviving traditional repertoire, which can be found in the standard score Meiji sentei-fu 明治撰定譜 kept by Kunaicho gakubu 宮内庁楽部 (Music Department of Imperial Household Agency) and 'reconstruction' of the lost pieces, 2) collaborative works with western artistic music ; and 3) a fusion with pop music. Kokuritsu gekijo 国立劇場, or National Theater Japan, produced a series of Gagaku kouen 雅楽公演, or gagaku concerts, as one of the important programs, in which 'reconstruction' of ancient pieces and instruments have been staged as well as the traditional (classical) repertoire since its open in 1966. Gagaku concerts tried various new experiments under the name of 'reconstruction' and made a great contribution to the development of contemporary artistic music, as opposed to the generally accepted image of gagaku such as 'eternal classics' or 'noble unchanged music'. This paper will clarify how Theater's gagaku concerts have provided an important place for collaborative creation of traditional gagaku and western avant-garde music, focusing on the contents of and the producer's intention for the 'reconstruction' project of the Theater.

  Kobe University, Feb. 2007, 国際文化学研究, 27, 51-81, 51 - 80, Japanese

  Research institution

  Link to Kobe Univ. Repository (Kernel)


• Research on reconstruction in the Taisho period: focusing on an study on the medieval vocal genre 'enkyoku' by Togi Tatteki

  TERAUCHI, Naoko

  神戸大学, Mar. 2006, 日本文化論年報, 9, 1-16, 1 - 16, Japanese

  Research institution


• The way of presenting Japanese culture: the musical instruments and documents displayed in the World Hygiene Exposition in London 1884

  TERAUCHI, Naoko

  This paper examines the method and materials that the Japanese government employed to explain its own culture to the West, when it got involved in the globalization at the late 19th century. In concrete, the musical instruments and documents, which were s

  神戸大学国際文化学部, Sep. 2005, 国際文化学研究, 24, 1p-29p, A1 - A29, Japanese

  Research institution

  Link to Kobe Univ. Repository (Kernel)


• Try to create 'new Japanese music': concept and practice of 'New National Music' by Togi Tetteki in the early 20th century

  TERAUCHI, Naoko

  神戸大学, Mar. 2005, 日本文化論年報, 8, 33p-52p, 33 - 52, Japanese

  Research institution


• ENDO Toru (compose), Bessatsu taiyo Gagaku

  TERAUCHI Naoko

  The Society for Research in Asiatic Music (Toyo Ongaku Gakkai, TOG), 2005, Toyo ongaku kenkyu : the journal of the Society for the Research of Asiatic Music, (70) (70), 146 - 149


• A study on the mnemnic sounds sh_ga of ry_teki flute in the early Edo period

  TERAUCHI, Naoko

  Kobe University, Nov. 2004, 国際文化学研究, , 1p-28p, 1 - 27, Japanese

  Scientific journal

  Link to Kobe Univ. Repository (Kernel)


• Encounter of cultures in case of the performing arts

  MATSUO, Yoko, TERAUCHI, Naoko, TATEOKA, Kumi, FUJINO, Kazuo, IWAMOTO, Kazuko

  Jul. 2004, 舞台芸術・芸能見本市2004大阪 文化政策セミナー報告書, , 18-21, Japanese

  International conference proceedings


• Walzenaufnahmen japanischer Musik 1901-1913 Wax Cylinder Recordings of Japanese Music (Berliner Phonogramm-Archiv Historische Klangdokumente 1)

  TERAUCHI Naoko

  The Society for Research in Asiatic Music (Toyo Ongaku Gakkai, TOG), 2004, Toyo ongaku kenkyu : the journal of the Society for the Research of Asiatic Music, (69) (69), 192 - 196, English


• Western impact on Traditional Music: 'reform' and 'universalization' in the modern period of Japan

  TERAUCHI, Naoko

  Sep. 2003, Journal of Chinese Ritual, Theatre and Folklore (Taipei), 141, 13p-53p, English

  [Refereed]

  Scientific journal


• "The meaning of recent changes in bon odori ___: choices made by the people of Okinawan origin in Hawai'i

  TERAUCHI, Naoko

  日本音楽学会, Jun. 2003, 音楽学, 48(3), 207p-221p(3) (3), 207 - 221, English

  [Refereed]

  Scientific journal


• Cultural policy of Japan and cultural exchange: Japanese and Korean court music 2002

  TERAUCHI, Naoko

  神戸大学, Sep. 2002, 国際文化学研究, 18, 21p-91p, 55* - 63*, Japanese

  Scientific journal

  Link to Kobe Univ. Repository (Kernel)


• The current situation of Okina-mai: co-existence of modern society and traditional performing arts

  TERAUCHI, Naoko

  神戸大学, Mar. 2002, 日本文化論年報, 5, 40p-45p, 40 - 45, Japanese

  Scientific journal


• Changes in gagaku in the 20th century:tempo and phrasing in the recordings by F. Gaisberg and the transcription by Hogaku Chosa Gakari

  TERAUCHI, Naoko

  Kobe University, Mar. 2002, 国際文化学研究, 17, 85p-111p, 85* - 111*, Japanese

  Scientific journal

  Link to Kobe Univ. Repository (Kernel)


• Zenshu Nihon fukikomi kotohajime: 1903 nen Gaizubagu rekodingusu (Gaisberg Recordings)

  TERAUCHI Naoko

  The Society for Research in Asiatic Music (Toyo Ongaku Gakkai, TOG), 2002, Toyo ongaku kenkyu : the journal of the Society for the Research of Asiatic Music, (67) (67), 132 - 136


• A study on trans-contexualization of performing arts: revaitalization of eis_ after WWII and the birth of new eis_

  TERAUCHI, Naoko

  Sep. 2001, 復帰25周年記念第3回沖縄研究国際シンポジウム報告書『世界につなぐ沖縄研究』, , 666p-674p, Japanese

  International conference proceedings


• A process of transcribing Japanese court music gagaku into western staff notation

  TERAUCHI, Naoko

  神戸大学, Mar. 2001, 日本文化論年報, 4, 18p-40p, 18 - 40, Japanese

  Scientific journal


• A tentative reconstruction of t_gaku of the late 12th century: focusing on the temporal aspect

  TERAUCHI, Naoko

  Jan. 2001, 2001 PNC Annual Conference & Joint Meetings 15-20 January 2001, Hong Kong (CD-ROM)., ,, English

  International conference proceedings


• A reconsideration of the traditional terms oze and yuri in t_gaku, as concepts concerning temporal structure

  TERAUCHI, Naoko

  The Musicological Society of Japan, Aug. 2000, 音楽学, 46(1), 26p-42p(1) (1), 26 - 42, English

  [Refereed]

  Scientific journal


• Okinawan bon odori in Hawaii: multi-layered structure of performing arts in diaspora

  TERAUCHI, Naoko

  Jul. 2000, 沖縄文化, 91, 1p-33p, Japanese

  [Refereed]

  Scientific journal


• 'Notes on notating gagaku' made in the Institute for Investigation of Japanese Music, Tokyo Music School

  TERAUCHI, Naoko

  神戸大学, Mar. 2000, 日本文化論年報, 3, 1p-19p, 1* - 19*, Japanese

  Scientific journal


• Modernization of gagaku; focusing on Konoe Naomaro's Achievement

  TERAUCHI, Naoko

  Sep. 1999, 国際文化学研究, 12, 19p-49p, Japanese

  Scientific journal

  Link to Kobe Univ. Repository (Kernel)


• On the function of wagon (zither) in saibara and togaku; observations in light of an analysis of sources of the Ayanokoji family

  TERAUCHI, Naoko

  The wagon _??__??_, the Japanese indigenous six-stringed zither, is often said to have been used only in Japanese native genres such as mikagura _??__??__??_, azuma-asobi _??__??_, and the like. However, from the 10th century, the wagon was introduced into togaku _??__??_ and saibara _??__??__??_ in the context of private concerts, called gyoyu _??__??_, held by a small number of high ranking nobles. Neither this fact, nor the nature of the wagon's musical practice at that time are well known. Fortunately, several sources on the wagon compiled or copied during the Edo period by the musicians of the Ayanokoji family _??__??__??__??_ and others are available. The source Gakurin-gosho _??__??__??__??_ is of most importance in the following regards; 1) It could be dated back to the 15th century which means it represents the old performance tradition, from the time before the saibara tradition's loss in the late Muromachi period. 2) It contains a detailed scores of the wagon as used in both saibara and togaku. An analysis of these sources has made the followings apparent; First, in saibara, the wagon repeats two fixed patterns called sugagaki _??__??_ and katagaki _??__??_ regardless of the vocal melodies. The former pattern is used in go-hyoshi _??__??__??_ or 8 unit pieces and the latter in sando-byoshi _??__??__??__??_ or 4 unit pieces. The wagon part's lack of a close relationship with the vocal part is a characteristic shared with other native vocal genres such as mikagura and azuma-asobi. The basic techniques included in sugagaki and katagaki patterns in saibara can in fact be found in various native genres, so it is possible that sugagaki and katagaki were constructed from these already existed techniques. In this sense, the wagon as used in saibara can be seen as part of a unified lineage of the wagon practice in Japanese native court songs including mikagura.
  In the case of mikagura, however, a periodical cyclic structure is lacking (except in a small number of exceptional pieces) and the wagon is not played in a periodic patternized manner. On the other hand, periodical repetition is a characteristic of the wagon part in saibara which bears similarity to the rhythmic structure of togaku. In saibara, the wagon actually played in a clear rhythmic role, with unequivocal accents marked with the plectrum pattern in a cycle.
  Unlike in saibara, the wagon in togaku has developed a more melodic dimension that follows the wind instruments' fundamental melody line. In order to highlight its distinction from other long zither, so or koto, in togaku ensemble, the wagon was always played using plectrum patterns that produced a unique sound and strong accents in a periodical cycle.
  Although, the wagon was used in a highly patternized way in togaku, different arrangements of a single piece in the sources examined show considerable variety in their detail. This suggests a flexibility in arrangement of individual melodies. In this regard, the wagon had more scope for musical development in the context of togaku than it did in saibara, for the latter case the wagon played only two fixed patterns. In togaku, then, the wagon's style was in closer accord with the ideals of gyoyu which allowed a large amount of improvisation or personal arrangement of melodies.

  The Society for Research in Asiatic Music (Toyo Ongaku Gakkai, TOG), Aug. 1998, 東洋音楽研究, 63, 16p-35p(63) (63), 16 - 36,L2, Japanese

  [Refereed]

  Scientific journal


• Performing arts among Okinawan-Americans in Los Angeles: new eisa and exoticism

  TERAUCHI, Naoko

  Oct. 1997, 沖縄文化, 87, 51p-67p, Japanese

  [Refereed]

  Scientific journal


• Techniques of koto in gagaku: its present and past

  TERAUCHI, Naoko

  May 1997, The 2nd International Cference of Asian Music: A-ak,Yayue, Gagaku, Nha Nhac.韓国国立国楽院, , 159p-180p, English

  International conference proceedings


• A study of the metrical specifications Nobe and Haya in the late Heian to early Kamakura Periods:Through an analysis of Kofu Ryoritsu-no-Maki

  TERAUCHI Naoko

  Kofu-Ryoritsu-no-Maki (KRRM, also known as Kofu/Hooshoo-fu Ryoritsukan/Kofu Ritsuryo-kan) _??__??__??__??__??_, a tablature score for shoo _??_ (mouth organ with 17 bamboo pipes, used in gagaku _??__??_), was compiled in the early 13th century by musicians of the Toyohara family. It includes a large repertoire of toogaku _??__??_ pieces and is especially significant as one of the earliest sources which includes the indications nobe _??_ and haya _??_, a pair of metrical specifications.
  The elements of the notational system of KRRM are as follows:
  1. Primary tablature signs in vertical column of notation indicating the names of the pipes of the instrument.
  2. Secondary signs dealing with rhythm, namely ku-ten _??__??_ (intra-columnary dots) and kobyooshi-ten _??__??__??__??_ (dots to the right of the notational column). Although the ku-ten and kobyooshi-ten systems are applied to the notational column simultaneously in KRRM, these can be analyzed independently.
  Analysis focusing on these elements has made it clear that all measured toogaku pieces can be classified into two rhythmic types. Furthermore, comparison of the melodies in KRRM with those in Sango-Yooroku (SGYR) _??__??__??__??_ and Jinchi-Yooroku (JCYR) _??__??__??__??_, both of which were compiled in the late 12th century by Fujiwara no Moronaga, has shown that melodic features in KRRM correspond to those in SGYR and JCYR, although the two types of KRRM are divided into four types in SGYR and JCYR.
  The metrical indications nobe and haya can be found in KRRM, while they cannot be found in SGYR and JCYR. It is possible, however, to apply the indications in KRRM to SGYR and JCYR because of the correspondence of melodies between the sources. The relationships between the indications of nobe/haya and the four rhythmic types are as follows:
  Type AA: one primary tablature sign for every kobyooshi. →haya
  Type B: two or more primary tablature signs for every kobyooshi, with syncopated melodic movement →nobe
  Type A: one primary tablature sign for every kobyooshi, or two or more primary tablature signs for odd-numbered kobyooshi →haya (nobe)
  Type AB: one or two primary tablature signs for each kobyooshi →haya (nobe)
  In the greater part of the repertoire of SGYR and JCYR, an original melody and an arrangement of this is given for each measured piece. In nobe-yahyooshi _??__??__??__??_ pieces particularly, most of the original melodies can be classified into Type A or AB, and the arrangements into Type B. Even though these pieces are classified as nobe pieces as a whole, the original versions in Type A or AB may be classified as haya pieces in terms of the density of tablature signs and melodic movement. In some cases, the original versions in Type A or AB of nobe are expressly referred to as haya in KRRM.
  Today the classification of nobe and haya is fixed for each piece, but it seems not to have been in the late Heian to early Kamakura periods (the 12th-13th centuries). In other words, there were several versions of each piece, differing from each other in terms of the metrical specifications nobe and haya.

  The Society for Research in Asiatic Music (Toyo Ongaku Gakkai, TOG), 1995, Toyo ongaku kenkyu : the journal of the Society for the Research of Asiatic Music, (60) (60), 1 - 19,L1


• A Study on Arrangement of Togaku Pieces:Concerning Dokyoku pieces in Jinchi-yoroku

  TERAUCHI Naoko

  Jinchi-yoroku (JCYR) _??__??__??__??_, a tablature score for gakuso _??__??_ (the long zither used in gagaku _??__??_), was compiled in the late 12th century by Fujiwara no Moronaga _??__??__??__??_ (1138-92). It stands out among the rich variety of written source materials associated with gagaku as a comparatively large scale source. It includes explanations of notational systems _??__??__??_ and tablature scores of choshi _??__??_, saibara _??__??__??_, togaku _??__??_, komagaku _??__??__??_, and gigaku _??__??_ pieces.
  The elements of the notational system of JCYR are as follows:
  1. Primary tablature signs indicating names of the strings of the instrument
  2. Secondary signs dealing with rhythm
  3. Tertiary signs dealing with performance techniques, especially those of the left hand
  After analysis focusing on the first two elements, it has become clear that all measured togakv pieces can be classified into four rhythmic types:
  Type AA: one primary tablature sign for every kobyoshi _??__??__??_ (unit of rhythm)
  Type A: one primary tablature sign for every kobyosh, or one primary tablature sign for even-numbered kobyoshi and two or more primary tablature signs for odd-numbered kobyoshi; the secondary sign ka _??_ appears only in odd-numbered kobyoshi
  Type B: two or more primary tablature signs for every kobyoshi, with a syncopated melodic movement; the secondary sign ka appears only in odd-numbered kobyoshi
  Type AB: a mixture of Types A and B, with one or two primary tablature signs for each kobyoshi; the secondary sign ka appears both in even-and odd-numbered kobyoshi
  In the major part of the togaku repertoire, each measured piece has original melody (genkyoku _??__??_) and an arrangement of this melody (dokyoku _??__??_). Most of the original melodies may be classified into Type A and the arranged ones into Type B.In some cases, melodies of Type B are given the metrical specification gaku-byoshi _??__??__??_, as opposed to tada-byoshi _??__??__??_. Analysis of the frequency of appearance of the secondary sign ka, especially when comparing Types A and B, shows that genkyoku of Type A are likely to bear the indication tada-byoshi, and that this is the same as that of tada-byoshi as interpreted today, in the sense that the odd-numbered kobyoshi are of longer duration than the even-numbered.

  The Society for Research in Asiatic Music (Toyo Ongaku Gakkai, TOG), 1993, Toyo ongaku kenkyu : the journal of the Society for the Research of Asiatic Music, (56) (56), 1 - 28,L3

• Trends of gagaku in relation with Master Shiba Sukeyasu

  TERAUCHI Naoko

  Mar. 2020, Geino, (26) (26), 224 - 227, Japanese

  [Invited]


• Book review SUZUKI Seiko 'Gagaku' no tanjo: Tanabe Hisao ga mita Diatoa no hibiki (Shunjusha, 2019)

  TERAUCHI Naoko

  Lead, Mar. 2020, Journal of the Musicological Society of Japan, 65(2) (2), 158 - 160, Japanese

  [Refereed]

  Book review


• Book review MORITA Totoki. Nohkan no gihou to densho (Kyoto: Shibunkaku shuppan, 2018)

  TERAUCHI Naoko

  Lead, Mar. 2019, Journal of the Musicological Society of Japan, 64(2) (2), 189 - 191, Japanese

  [Refereed]

  Book review


• 書評 Japanese Singers of Tales: Ten Centuries of Performed Narrative. By Alison MacQueen Tokita. Surrey: Ashgate

  TERAUCHI Naoko

  Lead, Jan. 2018, International Journal of Asian Studies, 15(1) (1), 144 - 146, English

  [Invited]

  Book review


• Audio-visual material review Itako Nakamura Take (Ado poporo, 2013)

  TERAUCHI Naoko

  Lead, Aug. 2014, Toyo ongaku kenkyu, (79) (79), 144 - 146, Japanese

  [Refereed]

  Book review


• Book review YAMAMOTO Hanako. Rioshoku gagakubu no kenkyu. Shoshi furora, 2011

  TERAUCHI Naoko

  Lead, Aug. 2013, Toyo ongaku kenkyu, (78) (78), 137 - 140, Japanese

  [Refereed]

  Book review


• 唐楽の来た道：隠された旋律にたどる響きの源流

  TERAUCHI, Naoko

  紫明の会, Sep. 2008, Shimei, 23: 17-21(23) (23), 17 - 21, Japanese

  Introduction scientific journal


• Book review "Waka wo utau" (Kasam shoin, 2005)

  TERAUCHI, Naoko

  Aug. 2006, 東洋音楽研究, 71, 191-192, Japanese

  [Refereed]

  Introduction scientific journal


• Future Perspectives: New Possibility in Research on Gagaku

  TERAUCHI, Naoko

  Nov. 2004, Round Table “Gagaku and Studies on Gagaku in the 20th Century”. Music and Globalization (Proceedings of the International Congress in Shizuoka 2002, in Celebration of the 20th Anniversary of the Musicological Society of Japan, , 82p-84p, English

  Report scientific journal


• discography review on Walzenaufnahmen japanischer Musik 1901-1913 Berliner Phonogramm-Archiv

  TERAUCHI, Naoko

  Oct. 2004, 音楽学, 50(1), 69p-72p, Japanese

  [Refereed]

  Introduction scientific journal


• discography review on Walzenaufnahmen japanischer Musik 1901-1913 Berliner Phonogramm-Archiv

  TERAUCHI, Naoko

  Aug. 2004, 東洋音楽研究, 69, 192p-196p, Japanese

  [Refereed]

  Introduction scientific journal


• ICTM discography review (Gagaku and Beyond. 2000. Celestial Harmonies 13179-2; Gagaku: "Gems from Foreign Lands". 2002. Celestial Harmonies 13217-2; Gagaku Suites. 2002. Celestial Harmonies 13223-2.),

  TERAUCHI, Naoko

  Dec. 2003, ICTM Year Book, 33, 229p-230p, English

  [Refereed]

  Introduction scientific journal


• Okinawan music and dancce across the ocean

  TERAUCHI, Naoko

  Aug. 2003, アジア遊学 特集 島唄の魅力, 66, 70p-81p, Japanese

  Others


• The sound of Japanese music in the beginning of the 20th century

  TERAUCHI, Naoko

  Mar. 2003, 歴博, 117, 15p-19p, Japanese

  Introduction scientific journal


• discography review on Zensh_ nihon fukikomi kotohajime

  TERAUCHI, Naoko

  Aug. 2002, 東洋音楽研究, 68, 131p-135p, Japanese

  Introduction scientific journal


• Reconstruction of court music in East Asia: case studies of Vietnam and Okinawa

  TERAUCHI, Naoko

  Mar. 2001, 沖縄県文化環境部文化国際局『御座楽復元研究会調査研究報告書II』, , 19p-31p, Japanese

  Others


• Catalogue of Kikkawa Collection (LP records)

  GAMO Mitsuko, TERAUCHI Naoko

  Okinawa Prefectural University of Arts, 15 Mar. 1999, Bulletin, Okinawa Prefectural University of Arts, 7, 27 - 59, Japanese


• On the sources of uzagaku and min-shin gaku: focusing of Gishi-gakufu and Gishi gakuhin danpich_

  TERAUCHI, Naoko

  Mar. 1997, 沖縄県商工労働部観光文化局『御座楽復元研究会調査研究報告書』, , 83p-92p, Japanese

  Others


• Ruiso-chiyo, a Japanese Kamakura-period Tablature Score for Gakuso (Zither) ; Concerning the Notational System and Terms Used in Classification of Togaku Pieces

  TERAUCHI Naoko

  Okinawa Prefectural University of Arts, 31 Mar. 1993, Bulletin, Okinawa Prefectural University of Arts, 1, 115 - 146, Japanese


• Notational Systems Employed in Scores for Percussion of Nara Tradition--The Relationship between Percussion Scores and Theoretical Treatises

  TERAUCHI Naoko

  The Musicological Society of Japan, 1987, Journal of the Musicological Society of Japan, 33(2) (2), p115 - 127, Japanese

• Instrumental Lives: Musical Instruments, Material Culture, and Social Networks in East and Southeast Asia

  TERAUCHI Naoko

  Contributor, Chapter 1: The Aesthetics of Koto Strings: Materiality and Physical Sensation in Performance, Illinois University Press, Jul. 2024, ISBN: 9780252045929


• Handbook of Japanese Music in the Modern Era

  TERAUCHI Naoko

  Joint work, Reigakusha Gagaku Ensemble: Mediating between Ancient and Contemporary Practice, Brill, Dec. 2023, ISBN: 9789004524019


• Presence Through Sounds: Music and Place in East Asia

  TERAUCHI Naoko

  Joint work, Gagaku and the Kasuga Wakamiya Onmatsuri Festival of Nara: from the Sound of Authority to the Sound of Local Identity, Routledge, Jul. 2020


• What the Doctor Overheard: Dr. Leopold Mueller's Account of Music in Early Meiji Japan

  TERAUCHI NAOKO

  Joint work, Cornell Univ East Asia Program, 2018, English

  Scholarly book


• The Universe of Shiba Sukeyasu: gagaku in the contemporary music scene

  TERAUCHI NAOKO

  Single work, Artes Publishing, Dec. 2017, Japanese

  General book


• Japanese Traditional Music: Songs of people at work and play

  TERAUCHI NAOKO

  Single work, World Arbiter Records, 2016, English

  Others


• A History of Japanese Theatre

  TERAUCHI NAOKO

  Joint work, Ancient And Early Medieval Performing Arts, Cambridge University Press, 2016, English

  Scholarly book


• Music, Modernity and Locality in Prewar Japan: Osaka and Beyond (co-authored). Hugh de Ferranti; Alison. Tokita, eds..

  TERAUCHI NAOKO

  Joint work, An Alternative Gagaku Tradition: the Garyokai and Modern Osaka, Ashgate Publishing, Aug. 2013, English

  Scholarly book


• Japanese Traditional Music: Shamisen & Songs. Kokusai Bunka Shinkôkai 1941

  TERAUCHI NAOKO

  Single work, World Arbiter Records, May 2013, English

  Others


• Japanese Traditional Music: Shamisen, Koto, Min’yô. Kokusai Bunka Shinkôkai 1941

  TERAUCHI NAOKO

  Single work, Arbiter Records, Sep. 2011, English

  Others


• Analytical and Cross-Cultural Studies in World Music (co-authored), M. Tenzer; J. Roeder eds.

  TERAUCHI NAOKO

  Joint work, Surface and Deep Structure in the Togaku Ensemble of Japanese Court Music (Gagaku), Oxford University Press, Sep. 2011, English

  Scholarly book


• Gagaku wo kiku: hibiki no niwahe no izanai

  TERAUCHI Naoko

  Single work, Iwanami shoten, Mar. 2011, Japanese

  General book


• The Modern and contemporary in gagaku: continuity, dissemination, and creative renewal

  TERAUCHI Naoko

  Single work, Iwanami shoten, Aug. 2010, Japanese

  Scholarly book


• Japanese Traditional Music: Noh, Biwa, Shakuhachi. Kokusai Bunka Shinkôkai 1941

  TERAUCHI NAOKO

  Single work, Arbiter Records, May 2009, English

  Others


• Japanese Traditional Music: Gagaku, Buddhist Chant, Kokusai Bunka Shinkôkai 1941

  TERAUCHI, Naoko

  Single work, World Arbiter Records, Nov. 2008, English

  Others


• Performing Japan: Contemporary Expressions of Cultural Identity

  ROY, Starrs, CREGHTON, Millie, COALDLAKE, Kimi, TERAUCHI Naoko, JAFFE, Jerry, HENDRY, Joy, Jennifer, LANCASHIRE, Terence, SONE, Yuji, GOODRUN, Alison

  Joint work, Beyond the Court: a Challenge to the Gagaku Tradition in the 'reconstruction Project' of the National Theatre, Poole: Global Oriental, Apr. 2008, English

  Scholarly book


• Arts, Culture, and Society (2nd edition)

  TOKUMARU, Yosihiko, AOYAMA, Masafumi, WASHIDA, Kiyokazu, SHIMEDA, Takashi, TERAUCHI, Naoko, KATO, Atsuko, FUKUOKA, Shota

  Joint work, 放送大学教育振興会, Mar. 2006, Japanese

  Textbook


• Arts, culture, society: widening the concept of art

  TOKUMARU, Yosihiko, AOYAMA, Masafumi, TERAUCHI, Naoko

  Joint work, 放送大学教育振興会, Mar. 2003, Japanese

  Textbook


• The attraction of Japanese traditional performing arts (1st vol)

  小島 美子, TERAUCHI, Naoko, 高桑 いづみ, 薦田 治子

  Joint work, NHKソフトウェア, Feb. 2003, Japanese

  General book


• Exchange concerts of Japanese and Koream court music 2002

  東儀 兼彦, 権 五聖, TERAUCHI, Naoko

  Joint work, 国立劇場, May 2002, Japanese

  Others


• The Garland Encyclopedia of World Music, East Asia: China, Japan, and Korea

  TERAUCHI, Naoko

  Joint work, Gagaku, Routledge, 2002, English

  Others


• Eisa in 360 degrees: its history and today

  IKEMIYA, Masaharu, KOBAYASHI, Yukio, KUMADA, Susumu, TERAUCHI, Naoko

  Joint work, 沖縄全島エイサーまつり実行委員会, Mar. 1998, Japanese

  General book


• Rhythmic structure of gagaku: focusing on t_gaku pieces in the late Heian period

  TERAUCHI, Naoko

  Single work, 第一書房, Feb. 1996, Japanese

  Scholarly book

• On gagaku instruments of Yoshida family in Nagoya

  TERAUCHI Naoko

  THe 138th regular meeting of the Central Japan Chapter, Music Society of Japan, Dec. 2023, Japanese

  [Invited]

  Invited oral presentation


• A local song or a court song?: a‘discovery’of a saibara song“Sakurabito

  TERAUCHI Naoko

  7th Symposium of the Study Group on Musics of East Asia, International Council for Traditional Music, May 2022, English

  Oral presentation


• Changes of performing arts in local shrines after the Meiji period: in the light of ‘Locality’ and ‘centralization’

  TERAUCHI Naoko

  Gagaku: Cultural Capital, Cultural Heritage, and Cultural Identity, Jun. 2021, Japanese

  [Invited]

  Nominated symposium


• “Gagaku and the Modern Japanese Empire”

  TERAUCHI Naoko

  Gagaku: Cultural Capital, Cultural Heritage, and Cultural Identity, Jun. 2021, Japanese

  [Invited]

  Nominated symposium


• Art or Record? An Exploration of a Japanese Bugaku Scroll through Cross-cultural and Inter-disciplinary Approaches.

  TERAUCHI NAOKO

  The 45th World Conference, International Council for Traditional Music, Jul. 2019, English, Chulalongkorn University, International conference

  Oral presentation


• Transmitting traditional performing arts to the next generation

  TERAUCHI NAOKO

  A symposium on the traditional music and  dance education in the Internet era (for the tenth anniversary of foundation of National Gugaku Centre Pusan), Oct. 2018, English, National Gugaku Centre Pusan, International conference

  [Invited]

  Invited oral presentation


• Musical instruments and sustainable environment

  TERAUCHI NAOKO

  The 6th symposium of Study Group on Musics of East Asia (MEA), ICTM, Aug. 2018, English, National Gugak Center, Seoul, Korea, International conference

  Oral presentation


• Development of a city and its musical circumstance: the activities of craftsmen and merchants of musical instruments in the modern period of Nagoya, Japan

  TERAUCHI NAOKO

  The 3rd Forum of the International Council for Traditional Music, Jul. 2018, English, Central Conservatory of Music, Beijing, International conference

  Oral presentation


• 幕末・維新期の楽人の実態～楽人日記から

  TERAUCHI NAOKO

  雅亮会雅楽ゼミナール, Jul. 2017, Japanese, 津村別院（大阪）, Domestic conference

  [Invited]

  Public discourse


• To be a ‘cloth hanger’: the aesthetics of imperial bugaku dance of Japan.

  TERAUCHI NAOKO

  The 44th World Conference, International Council for Traditional Music, Jul. 2017, English, University of Limerick (Ireland), International conference

  Oral presentation


• Gagaku in the Kasuga wakamiya onmatsuri festival: from the sound of imperial authority to the sound of local identity

  TERAUCHI NAOKO

  International Symposium “Presence Through Sound: Place and Contemporary Music in and from East Asia, Mar. 2016, English, Sydney Conservatorium, Sydney University, International conference

  [Invited]

  Invited oral presentation


• Past and future of court musics in East Asia: court music and bamboo culture in Japan

  TERAUCHI NAOKO

  国立音楽大学創立90周年シンポジウム, Nov. 2015, English, Kunitachi College of Music, International conference

  [Invited]

  Keynote oral presentation


• L’Univers du gagaku

  TERAUCHI NAOKO

  Special lecture at Maison de la culture du Japon, Feb. 2015, Japanese, Maison de la culture du Japon, Maison de la culture du Japon, International conference

  Public discourse


• Gigaku in the 21st century

  TERAUCHI NAOKO

  Ethno Forum, Sep. 2014, English, Music Department, University of Hawaii at Manoa, International conference

  Invited oral presentation


• Gigaku in the 21st century

  TERAUCHI NAOKO

  4th International Symposium of Study Group on East Asian Musics, ICTM, Aug. 2014, English, Nara University of Education, International conference

  Public discourse


• Rethinking ‘past’ and creating ‘present’: activities of a gagaku musician Shiba Sukeyasu

  TERAUCHI NAOKO

  42nd World Conference of International Council for Traditional Music, Jul. 2013, English, Shanhai Conservatory of Music, International conference

  Oral presentation


• Music Notation: Representing Visually the Sound of Music

  TERAUCHI NAOKO

  ‘The Future of the Japanese Music Heritage: Strategies for Nurturing Japanese Traditional Instrumental Genres and New Music’, Mar. 2013, English, Scandinavia house, New York, International conference

  [Invited]

  Invited oral presentation


• On a mnemonic sounds of chanmera reed pipe

  TERAUCHI NAOKO

  the 256th meeting of Toyo ongaku gakkai, West chapter, Dec. 2012, Japanese, National Museum of Ethnology, Domestic conference

  Oral presentation


• A study of Leopold Mueller's notes on Japanese Music

  TERAUCHI NAOKO

  63rd annual conference of Society of research of Asiatic music, Nov. 2012, Japanese, Kunitachi College of Music, Domestic conference

  Oral presentation


• Sacred songs and female priests’ system in the Ryukyu kingdom; focusing Rukugwachi umachii (rice harvest festival) in Aka island

  TERAUCHI NAOKO

  Jeju International Conference on Oriental Musicology and Special Performance, Sep. 2012, English, National Gugak Center, Korea, Jeju Interntaional hotel, International conference

  [Invited]

  Invited oral presentation


• Revival of the 8th century’s melody: academic ‘reconstruction’ and stage performance of gagaku

  TERAUCHI NAOKO

  International Symposium “Ethnomusicology Training at Hue Academy of Music, Dec. 2011, English, Hue Academy of Music, Vietnam, International conference

  [Invited]

  Invited oral presentation


• Musical identity of gagaku musicians in the Edo period

  TERAUCHI NAOKO

  the 62nd annual conference of Society for research of Asiatic music, Nov. 2011, Japanese, Society for research of Asiatic music, Kyoto University of Education, Domestic conference

  Oral presentation


• ‘Where did the notational system of Meiji sentei-fu come from? : Variety and unification in ryûteki notation in Japanese gagaku’

  TERAUCHI NAOKO

  International Conference on Ancient Notation of Music and Dance, Apr. 2011, English, National Gugak Center, Korea, National Gugak Center, Korea, International conference

  [Invited]

  Invited oral presentation


• ‘Rin’yûgaku’ found in Japanese written materials

  TERAUCHI NAOKO

  “Collection and Documentation of ancient Cham music in Japanese court music Rin’yûgaku”, Nov. 2010, English, Vietnam Institute of Culture and Arts Studies, International conference

  [Invited]

  Invited oral presentation


• 両大戦間の雅亮会の活動

  TERAUCHI, Naoko

  Symposium "Music and Modernity in Osaka in the Interwar Years", Dec. 2008, Japanese, 国際日本文化研究センター, 国際日本文化研究センター, International conference

  [Invited]

  Invited oral presentation


• アメリカ東海岸における雅楽紹介の試み

  TERAUCHI, Naoko

  文化庁公開フォーラム「日本の心を世界に伝える」, Mar. 2008, Japanese, 文化庁, 東京藝術大学奏楽堂, Domestic conference

  [Invited]

  Invited oral presentation


• Current situation of ethnomusicology in the North America: System, actual condition, and ideology

  TERAUCHI, Naoko, TERADA, Yoshitaka, WASEDA, Minako

  東洋音楽学会西日本支部定例研究会, Dec. 2007, Japanese, 東洋音楽学会西日本支部, 大阪, 日本, Domestic conference

  Public symposium


• To create 'Japanese music': an experiment by a gagaku musician T_gi Tetteki in the beginning of the 20th century

  TERAUCHI, Naoko

  a meeting at Study Group for Musics of East Asia, ICTM, Dec. 2007, English, Study Group for Musics of East Asia, ICTM, 上海, 中華人民共和国, International conference

  Oral presentation


• Reconstruction or creation? : a strategy of the gagaku 'reconstruction' project in National Theater Japan

  TERAUCHI, Naoko

  39th World Conference, International Council for Traditional Music, Jul. 2007, English, International Council for Traditional Music (ICTM), Wien, オーストリア, International conference

  Oral presentation


• Shoga, or mnemonic sounds and notation in Japanese court music gagaku: the way to hand down a tradition of a thousand years

  TERAUCHI, Naoko

  Special lecture at Fulbright College, University of Arkansas, Mar. 2007, English, Fulbright College, University of Arkansas, Fayetteville, アメリカ合衆国, International conference

  [Invited]

  Invited oral presentation


• Noble entertainment in Heian times Japan, variation of a melody in court music gagaku

  TERAUCHI, Naoko

  Mulberry leaf lecture, Mar. 2007, English, Fulbright College, University of Arkansas, Fayetteville, アメリカ合衆国, International conference

  [Invited]

  Invited oral presentation


• Introduction to gagaku

  TERAUCHI, Naoko

  Gagaku workshop, Columbia University, Feb. 2007, English, Institute for Medieval Studies, Columbia University, New York, アメリカ合衆国, International conference

  [Invited]

  Invited oral presentation


• Introduction to gagaku

  TERAUCHI, Naoko

  Gagaku concert at Bates College, Feb. 2007, English, Bates College (USA), Portland, Maine, アメリカ合衆国, International conference

  [Invited]

  Invited oral presentation


• Gagaku and religious ceremonies

  TERAUCHI, Naoko

  Special lecture at Bates College, Feb. 2007, English, Bates College, Portland, Maine, アメリカ合衆国, International conference

  [Invited]

  Invited oral presentation


• Fabricating self image through music: the Ryukyu Kingdom's Artistic Strategy in her Relationship with Japan and China

  Terauchi Naoko

  Donald Keene Center Spring Lecture, Feb. 2007, English, Donald Keene Center, Columbia University, New York, アメリカ合衆国, International conference

  [Invited]

  Invited oral presentation


• Introduction to Japanese court music gagaku

  Terauchi Naoko

  Celestial sounds: Japanese Sacred Court Music and Recent Reverberations, Mar. 2006, English, Institute of Medieval Japanese Studies, Columbia University, New York, アメリカ合衆国, International conference

  Invited oral presentation


• The way of presenting Japanese culture: the musical instruments and documents displayed in the World Hygiene Exposition in London 1884

  TERAUCHI, Naoko

  International Conference of the Asian Philosophical Association, Sep. 2005, English, Fatih University, Turkey, Istanbul, International conference

  Oral presentation


• Panel 'Musical diversity in the modern period of Japan'

  TERAUCHI, Naoko, OKUNAKA, Yasuto, TERADA, Mayumi, FUKUMOTO, Yasuyuki

  東洋音楽学会西日本支部第222回定例研究会, Feb. 2005, Japanese, 東洋音楽学会関西支部, 神戸, 日本, Domestic conference

  Public symposium


• Method and practice of academic research in the RVMV project

  TERAUCHI, Naoko

  研究ワークショップ「伝統芸能の映像記録の可能性と課題」, Feb. 2005, Japanese, 国立民族学博物館, 大阪, 日本, International conference

  Public symposium


• Try to create 'Japanese music' in the early 20th century: analysis of discourse and works of Togi Tettki

  TERAUCHI, Naoko

  国際文化学会第13回定例研究会, Nov. 2004, Japanese, 神戸大学国際文化学会, 神戸, 日本, Domestic conference

  Oral presentation


• Multi-cultural society and cultural policy

  IWAMOTO, Kazuko, TATEOKA, Kumi, TERAUCHI, Naoko, PARK, Risa

  日本国際文化学会第3回大会, Jul. 2004, Japanese, 日本国際文化学会, 神戸, 日本, Domestic conference

  Public symposium


• Seminar 'inter-cultural communication in theatrical arts'

  MATSUO, Yoko, TERAUCHI, Naoko, TATEOKA, Kumi, IWAMOTO, Kazuko

  舞台芸術・芸能見本市2004大阪, Jul. 2004, Japanese, 大阪21世紀協会, 大阪, 日本, Domestic conference

  Public symposium


• Round table 'Yosakoi and eis_: revitalization of tradition

  TSUKADA, Ken'ichi, TERAUCHI, Naoko, IWAI, Masahiro, KUMADA, Susumu, SHIROTA, Chika

  東洋音楽学会第54回大会, Oct. 2003, Japanese, 東洋音楽学会, 広島, 日本, Domestic conference

  Public symposium


• Round table 'Gagaku and Studies on gagaku in the 20th century'

  TERAUCHI, Naoko, TSUKAHARA, Yasuko, NELSON, Steven, ENDO, Toru

  International Congress of the Musicological Society of Japan, Nov. 2002, English, 日本音楽学会, 静岡, 日本, International conference

  Public symposium


• Genres and contexts of court music gagaku

  Kanehiko, TERAUCHI, Naoko, KWON, Osung, YOSHINO, Hiroko, TOKUMARU, Yosihiko, HAN, Myung H

  日韓宮廷音楽交流演奏会シンポジウム, May 2002, Japanese, 国立劇場, 東京, 日本、Seoul, International conference

  Public symposium


• Panel 'Reconstruction of tradition'

  TERAUCHI, Naoko, 津上 智実

  第69回日本音楽学会関東支部・東洋音楽学会合同例会, Dec. 2001, Japanese, 東洋音楽学会, 日本音楽学会, 東京, 日本, Domestic conference

  Public symposium


• Gagaku in the beginning of the 20th century: the recordings of F. Gaisberg

  TERAUCHI, Naoko

  東洋音楽学会第52回大会, Nov. 2001, Japanese, 東洋音楽学会, 那覇, 日本, Domestic conference

  Oral presentation


• Changes of bon odori: the choice of the Okinawan people in Hawaii

  TERAUCHI, Naoko

  第４回沖縄研究国際シンポジウム, Sep. 2001, Japanese, 第４回沖縄研究国際シンポジウム実行委員会, 那覇, 日本, Domestic conference

  Oral presentation


• Okinawan bon odori in Hawai'i: internalization of exoticism

  TERAUCHI, Naoko

  The 36th World Conference of International Council for Traditional Music, Jul. 2001, English, International Council for Traditional Music, Rio de Janeiro, ブラジル, International conference

  Oral presentation


• A tentative reconstruction of togaku of the late 12th century: focusing on the temporal aspect

  TERAUCHI, Naoko

  Annunal Conference of Pacific Neighborhood Consortium, Jan. 2001, English, Pacific Neighborhood Consortium, Hong Kong, 中国, International conference

  Oral presentation


• History of Gagaku: for the Court and beyond the Court

  TERAUCHI, Naoko

  Symposium on Preservation and Promotion of Asian Traditional Performing Arts "Placing Traditions in Future Global Societies, Dec. 2000, English, 国際交流基金, 東京, 日本, International conference

  Public symposium


• The meaning of the source 'Gagaku kifuh_ hitae' in the transcrition project of Hogaku Ch_sa Gakari

  TERAUCHI, Naoko

  日本音楽学会第51回大会, Nov. 2000, Japanese, 日本音楽学会, 京都, 日本, Domestic conference

  Oral presentation


• Musical strategy of Ryukyu (Okinawa) kingdom in relationship with Japan and China

  TERAUCHI, Naoko

  Ethno Forum, May 2000, English, Music Department of University of Hawaii, Honolulu, アメリカ, International conference

  Oral presentation


• 'Genealogy and musical tradition in Japanese court music gagaku'

  TERAUCHI, Naoko

  A Special Lecture at the Center for Japanese Studies, May 2000, English, Center for Japanese Studies, University of Hawaii, Honolulu, アメリカ, International conference

  Oral presentation


• Symposium "Traditiona"9: sending Japanese music out across the ocean

  TERAUCHI, Naoko, 藤田 隆則, 田中 由美子

  東洋音楽学会関西支部例会, Feb. 2000, Japanese, 東洋音楽学会関西支部, 大阪, 日本, Domestic conference

  Public symposium


• Coloquium 'Establishment of the Nation-state and court music in East Asia')

  TERAUCHI, Naoko, 植村 幸生, 尾高 暁子

  日本音楽学会第50回大会, Nov. 1999, Japanese, 日本音楽学会, 東京, 日本, Domestic conference

  Public symposium


• Imperial court musicians' consciousness of their musical tradition: endeavours to notate gagaku in western full ensemble scores

  TERAUCHI, Naoko

  The 35th World Conference of International Council for Traditional Music, Aug. 1999, English, International Council for Traditional Music, 広島, 日本, International conference

  Oral presentation


• Modernization' of gagaku: western transcription in the Taish_ and early Sh_wa periods

  TERAUCHI, Naoko

  東洋音楽学会第425回定例研究会, Jul. 1999, Japanese, 東洋音楽学会, 東京, 日本, Domestic conference

  Oral presentation


• The modern period and Japanese traditional music: transcription of gagaku into western notation

  TERAUCHI, Naoko

  神戸大学国際文化学会第2回研究発表会, Jun. 1999, Japanese, 神戸大学国際文化学会, 神戸, 日本, Domestic conference

  Oral presentation


• Okinawan bon dance in Hawaii: multy-layered structure of performing arts in diaspora

  TERAUCHI, Naoko

  東洋音楽学会沖縄支部第24回定例研究会, Dec. 1998, Japanese, 東洋音楽学会沖縄支部, 那覇, 日本, Domestic conference

  Oral presentation


• Gyoy_ in the 15th century: based on the description of Gakurin gosh_

  TERAUCHI, Naoko

  東洋音楽学会第49回大会, Nov. 1998, Japanese, 東洋音楽学会, 名古屋, 日本, Domestic conference

  Oral presentation


• Okinawan Performing Arts; A Crossroad between China and Japan

  TERAUCHI, Naoko

  Ethno Forum at University of California, Los Angeles, May 1998, English, University of California, Los Angeles,, Los Angeles, アメリカ, International conference

  Oral presentation


• Notational System of Japanese Gagaku

  TERAUCHI, Naoko

  Symposium on the Court music, Jan. 1998, English, Hue College of Arts, Hue, ヴェトナム, International conference

  Oral presentation


• An Analysis of the Structure of Japanese Court Music Gagaku; With Special Reference to the Functions of Wagon (zither) in Saibara and Togaku

  TERAUCHI, Naoko

  The 4th International Conference of Asia-Pacific Society for Ethnomusicology, Jan. 1998, English, Asia-Pacific Society for Ethnomusicology, Taipei, 台湾, International conference

  Oral presentation


• Trans-contextualization and Stylistic Changes of Eisa

  TERAUCHI, Naoko

  第3回沖縄研究国際シンポジウムシドニー大会, Aug. 1997, Japanese, 第3回沖縄研究国際シンポジウムシドニー大会実行委員会, シドニー大学, Sydney, オーストラリア, International conference

  Oral presentation


• Techniques of koto in gagaku: its present and past

  TERAUCHI, Naoko

  The 2nd International Conference of Asian Music; A-ak, Yayue, Gagaku, Nha Nhac, May 1997, Japanese, 韓国国立国楽院, Seoul, 韓国, International conference

  Oral presentation


• Visiting the home of uzagaku: nanguan and peiguan music in Fuchan Province

  TERAUCHI, Naoko

  東洋音楽学会沖縄支部第19回定例研究会, Feb. 1997, Japanese, 東洋音楽学会沖縄支部, 那覇, 日本, Domestic conference

  Oral presentation


• Performing arts of the Okinawan Americans in Los Angeles: New eis_ and exoticism

  TERAUCHI, Naoko

  沖縄文化協会平成八年度公開研究発表会, Feb. 1997, Japanese, 沖縄文化協会, 那覇, 日本, Domestic conference

  Oral presentation


• Performing arts of the Okinawan Americans in Los Angeles

  TERAUCHI, Naoko

  東洋音楽学会沖縄支部第18回定例研究会, Nov. 1996, Japanese, 東洋音楽学会沖縄支部, 那覇, 日本, Domestic conference

  Oral presentation

• 沖縄文化協会


• Society for Ethnomusicology


• Interntional Council for Traditional Music


• 日本音楽学会


• 東洋音楽学会

• Veins of the dissemination and transmission of the gagaku tradition in the modern era: activities of retired court musicians in local areas

  TERAUCHI Naoko

  日本学術振興会, 科学研究費助成事業 基盤研究(C), 基盤研究(C), 神戸大学, Apr. 2022 - Mar. 2026


• An Exploratory Study of Tradition and Performance in Bunraku

  HOSODA Akihiro

  Japan Society for the Promotion of Science, Grants-in-Aid for Scientific Research, Grant-in-Aid for Scientific Research (C), Teikyo University, 01 Apr. 2019 - 31 Mar. 2022

  The purpose of this study is to clarify the issue of transmission in ningyo joruri (puppet theater) through a variety of approaches. The principal investigator and his/her co-principal investigator conducted surveys and research activities on their own and in cooperation with others. Major surveys included interviews with performers of ningyo joruri and those with practical experience, as well as surveys of actual performances of ningyo joruri and other venues. Quantitative surveys based on experiments were also conducted. These surveys and studies have been published as academic papers, conference presentations, and book chapters.


• 地方の雅楽：「都の文化」から「地域のシンボル」へ

  寺内 直子

  学術研究助成基金助成金／基盤研究(C), Apr. 2018 - Mar. 2022, Principal investigator

  Competitive research funding


• Comprehensive study on the expression of emotion in Bunraku

  HOSODA Akihiro

  Japan Society for the Promotion of Science, Grants-in-Aid for Scientific Research, Grant-in-Aid for Scientific Research (C), Teikyo University, 01 Apr. 2016 - 31 Mar. 2019

  The aim of this study is to clarify the expression of emotion in puppet theater in various ways. Representatives and team members conducted research and research activities alone or jointly. Collaborative studies based on psychology experiment was also carried out. The results were published as academic papers and conference presentations.


• 越境する雅楽～伝統音楽の海外における発信・受容と展開

  寺内 直子

  科学研究費補助金／基盤研究(C), Apr. 2012 - Mar. 2015, Principal investigator

  Competitive research funding


• 音楽伝承の多様化と統合のダイナミクス：江戸時代の雅楽伝承と楽人の交流

  寺内 直子

  科学研究費補助金／基盤研究(C), 2009, Principal investigator

  Competitive research funding


• 雅楽「復元」の諸相?２０世紀における「復元」研究と演奏の視座

  久万田 直子

  科学研究費補助金／基盤研究(C), 2006

  Competitive research funding


• A theatrical art environmental international comparative study -For construction of an intellectual support system-

  FUJINO Kazuo, TERAUCHI Naoko, IWAMOTO Kazuko, TATEOKA Kumi, KOBAYASHI Mari

  Japan Society for the Promotion of Science, Grants-in-Aid for Scientific Research, Grant-in-Aid for Scientific Research (B), Kobe University, 2003 - 2005

  1.We investigated how result of humanities scientific study about a stage work was reflected for presentation contents and a person of appreciation. The area that we investigated was each Europe country, Asia, Japan, but we stood on a point of view of historic transformation in the case. 2.We tried construction of an intellectual support system through fact-finding in each place. Cooperation with introduction of a Dramaturgie system, substantiality of an academic information organization about theatrical art, a university I a research organization and an art culture institution / an art cultural organization, training system at a university of theatrical art employment, support system of intellect for a citizen's artwork, ideal method of a review to activate theatrical art. 3.We clarified a problem of culture environment maintenance from the viewpoint of culture political science.


• The Mechanism of Intercultural Contacts concerning Japanese Music and Drama : Mutual Transformation of Views in the East and West around the 1900 Paris Universal Exposition

  INOUE Satsuki, WATANABE Hiroshi, TERAUCHI Naoko

  Japan Society for the Promotion of Science, Grants-in-Aid for Scientific Research, Grant-in-Aid for Scientific Research (B), Aichi Prefectural University of Fine Arts and Music, 2001 - 2003

  The aim of this study is to clarify the mechanism of intercultural contacts by analyzing Japanese Music and Drama performed in Europe around the turn of the last century. At Loie Fuller's Theatre, set up for the 1900 Paris Universal Exposition, Sada Yacco made her debut, together with her husband, Otojiro Kawakami and his troupe. Sada Yacco become so famous and popular that Loie Fuller, an American-born dancer-manager, decided to engage them for a long tour the following year. It is now possible to recover portions of performances of the Kawakami troupe from early recordings. There are two different sources. Most of the recordings this troupe made for the Gramophone & Typewriter Company during the 1900 Paris Universal Exposition have been digitalized for Toshiba-EMI. Abraham and Hornbostel also recorded and transcribed portions of the troupe's performances in Berlin in 1901 : these recordings of the Kawakami troupe as well as recordings made in Japan(1911/1913), now in the holdings of the Berlin Phonogramm-Archiv, were digitalized in 2003. Inoue studied the relationship between the Kawakami troupe's play, adapting or abridging scenes from Kabuki, and the "avant-garde" dances of Loie Fuller. A program at the Loie-Fuller Theatre usually consisted of a play of the Kawakami troupe with Loie Fuller's performance. The public found the Japanese-American-French cultural contacts in their performances. Terauchi showed in full detail the actual music performed by the Kawakami troupe from the early recordings and articles concerning Japanese music written at that time. These performances provided scholars of Japanese music in Europe with a wealth of materials. Watanabe directed his attention to the early recordings made in Japan mentioned above, especially that of "Oiwake", a kind of folk music. These recordings reveal the conditions surrounding Japanese folk music immediately before the modernization and reorganization, which occurred amidst the cultural contact with the West.