研究者紹介システム

後藤 沙羅
ゴトウ サラ
大学院工学研究科 建築学専攻
助手
土木・建築工学関係
Last Updated :2022/09/16

研究者情報

所属

  • 【主配置】

    大学院工学研究科 建築学専攻
  • 【配置】

    工学部 建築学科

学位

  • 修士(工学), 神戸大学
  • 近現代建築の空間構成理論や手法に関する建築意匠論研究

授業科目

研究活動

研究分野

  • 社会基盤(土木・建築・防災) / 建築史、意匠

論文

  • Research on the Design Concept and Design Method at the PODO HOTEL by Jun Itami

    Sara Goto, Shingo Suekane, Ryo Masuoka

    2022年03月, The Journal of the Asian Conference of Design History and Theory, (4), 130 - 141, 英語

    [査読有り]

    研究論文(研究会,シンポジウム資料等)

  • 伊丹潤の言説における朝鮮の美の思想に関する研究─柳宗悦の「悲哀の美」の思想に対する伊丹潤の見解に着目して─

    後藤沙羅, 末包伸吾, 増岡亮

    2021年07月, 講演論文集-DESIGNシンポジウム2021, 74 - 80, 日本語

    [査読有り]

    研究論文(研究会,シンポジウム資料等)

  • 後藤 沙羅, 末包 伸吾, 増岡 亮

    This paper is a part of the researches to characterize and identify the architectural theory of Jun Itami (1937-2011) through all the currently available articles written by him. The keywords of the subjects were sorted out as a number of items and examined from the viewpoint of hierarchy of composition of the meaning by extracting important sentence. As the first level of his architectural thought, three items of 【Joseon period】, 【Korea】, 【Contemporary Japan】 were extracted. This paper is examining 《Nature》,《Human Spirit》, and 《City》 that make up【Contemporary Japan】. 《Nature》consists of the third level of three items of[Natural objects], [Natural environment], and [The role of nature]. [Natural objects] consists of the 4th level of four items of 〈Water〉, 〈Wood〉, 〈Stone〉, and〈Soil〉. [Natural environment] consists of the 4th level of seven items of 〈Magnificence〉, 〈Environment〉, 〈Face〉, 〈Light〉, 〈Wind〉, 〈Sound〉, and 〈Sky〉. [The role of nature] consists of the 4th level of five items of 〈Harmony〉, 〈Antagonist〉, 〈Fusion〉, 〈Coexistence〉, and 〈Multi-layered〉. 《Human spirit》 consists of the third level of five items of [Perceptual structure], [Changing to the line of sight], [Art], [Drawing], and [Parthenon temple]. [Drawing] consists of the 4th level of five items of 〈Physicality〉, 〈Layering and blocking〉, 〈Primitive experience〉, 〈Tuning〉, and 〈The significance of contemporary drawing〉. 《City》 consists of the third level of two items of [Life in the city], and [Architecture in the city].

    In 【Contemporary Japan】, industrialization and internationalization are progressing, various spatial and temporal boundaries are fading, everyday life and 《Architecture》 itself continue to change day by day. Human beings are being isolated from 《Nature》, 《Architecture》, and 《City》.

    While presenting an awareness of the problem of 《City》, he examined various ways of the relationship between 《Nature》 and 《Architecture》, and found and explained the concept of 〈Face〉and[Perceptual structure] in his own word.

    日本建築学会, 2021年, 日本建築学会計画系論文集, 86 (786), 2189 - 2200, 日本語

    [査読有り]

    研究論文(学術雑誌)

  • 後藤 沙羅, 末包 伸吾, 増岡 亮

     This paper is a part of the researches to characterize and identify the architectural theory of Jun Itami (1937-2011) through all the currently available articles written by him. The keywords of the subjects were sorted out as a number of items and examined from the viewpoint of hierarchy of composition of the meaning by extracting important sentence. As the first level of his architectural thought, three items of【Joseon period】, 【Korea】, 【Contemporary Japan】were extracted. This paper is examining 【Korea】 consisted by the second level of two items of 《Nature》and 《Human spirit》, 《Village》, and《Architecture》,

     《Nature》consists of the third level of three items of [Climate], [Natural Environment], and [Garden] [Natural Environment] consists of the 4th level of three items of 〈Mountain〉, 〈Rock〉, and 〈Light〉. [Garden], consists of the 4th level of two items of 〈Garden of private house〉 and 〈Secret garden〉.《Human》have not the third level items. 《Village》 consists of the third level of two items of [Relationship with nature], and [To contemporary city]. [Relationship with nature] consists of the 4th level of two items of 〈Integration with nature〉 and 〈Response to mountains〉. 《Architecture》 consists of the third level of three items of [Private house]and [Jongmyo Shrine]. [Private house] consists of the 4th level of eight items of 〈Coexistence with nature〉, 〈Reflection of life〉, 〈Fence〉, 〈Korean floor heater〉, 〈Connection inside and outside〉, 〈Eye movement〉, and 〈To contemporary house〉.[Jongmyo Shrine]consists of the 4th level of seven items of 〈Relationship with water〉, 〈Roof〉, 〈Eye movement〉, 〈Base〉, 〈Nothing〉, 〈Margin〉, and〈"Theater space"〉.

     First, Itami spoke of 《Human spirit》 respect for 《Nature》 based on confucianism, and mentioned the 《Village》 where such people gathered and lived. There, we can see 〈Integration with nature〉 and 〈Response to mountains〉, and the 《Human spirit》was also observed there.

     Next, he most discouraged discourse was about 《Architecture》 that was at the center of thought about 【Korea】. He observed [Private house] and explained the famous Korean traditional architecture, [Jongmyo Shrine] and 〈Secret garden〉.

     There, we analyzed words such as 〈Nothing〉, 〈Margin〉, and 〈Theater space〉 that were used in his architectural works. He got what he could use for his own design activities from 【Korea】, and also considered future Japanese architecture by referring to these theories.

    日本建築学会, 2020年, 日本建築学会計画系論文集, 85 (778), 2795 - 2805, 日本語

    [査読有り]

  • 後藤 沙羅, 末包 伸吾, 増岡 亮

     This paper is a part of the researches to characterize and identify the architectural theory of Jun Itami (1937-2011) through all the currently available articles written by him. The keywords of the subjects were sorted out as a number of items and examined from the viewpoint of hierarchy of composition of the meaning by extracting important sentence. As the first level of his architectural thought, three items of【Joseon period】, 【South Korea】, 【Modern Japan】 were extracted. This paper is examining 【Joseon period】 consisted by the second level of two items of 《Objects》and 《Spirit》.

     《Objects》 consists of the third level of three items of [Livingware], [Artworks], and [Beauty of objects]. [Livingware] consists of the 4th level of two items of〈Furniture〉and〈Ceramics〉 . [Artworks] consists of the 4th level of two items of〈Buddha statues〉and 〈Folk paintings〉. 《Spirit》 consists of the third level of four items of [Confucianism], [Lifestyle], [Study of Muneyoshi Yanagi], and [Beauty of spirit]. [Confucianism] consists of the 4th level of five items of〈Courtesy〉, 〈Nature and culture〉, 〈Yin-Yang〉, 〈Anonymity〉, and〈Influence on housings〉. [Lifestyle]consists of the 4th level of two items of 〈Culture of sitting〉 and 〈Influence on housings〉. [Study of Muneyoshi Yanagi], consists of the 4th level of two items of 〈Theory of sorrow〉 and 〈Theory of line and white of sorrow〉.

     First, Itami observes [Livingware] and [Artworks], or 《Objects》of 【Joseon period】in his own daily life, so that he felt those unique beauties that were created from close relationships with people of the day, their lives, traditions and customs. These concepts and senses had a great influence on his architectural theory. And as [Beauty of objects], he pursued about the background of the formative beauty and existential beauty of the 《Objects》 of 【Joseon period】, and he made a mention of the 《Spirit》 of those who value a life with the nature of those days when they were produced and used the 《Objects》.

     Next, as the《Spirit》of【Joseon period】, he found that the society and life were established on several fundamental concepts in the culture of [Confucianism] which was flowing under the people at the time. Regarding [Lifestyle], he said about the relationship between humans and nature. he also discussed the beauty of Korean unique line and white as [Consideration to Muneyoshi Yanagi].

     In this way, in order to explore the root of the beauty of 《Objects》 created by people of 【Joseon period】, Itami pursued the 《Spirit》 of the people of those days. It can be said that the knowledge and sense of 【Joseon period】 obtained in this way became the basis of his architectural theory and driving force of building design activities.

    日本建築学会, 2019年06月, 日本建築学会計画系論文集, (760), 1485 - 1495, 日本語

    [査読有り]

    研究論文(学術雑誌)

  • Sara Goto, Shingo Suekane, Ryo Masuoka

    Wiley, 2022年05月07日, JAPAN ARCHITECTURAL REVIEW, 英語

    [査読有り]

    研究論文(学術雑誌)

  • 後藤 沙羅, 末包 伸吾, 増岡 亮

    This paper is a part of the researches to characterize and identify the architectural theory of Jun Itami (1937-2011) through his articles. The keywords were sorted out as items and examined from the viewpoint of hierarchy of the meaning. The first level items of his architectural theory are 【Joseon period】, 【Korea】, and 【Contemporary Japan】. This paper is examining 《Architecture》that makes up【Contemporary Japan】.

    日本建築学会, 2022年09月01日, 日本建築学会計画系論文集, 87 (799), 1774 - 1785, 日本語

MISC

  • 鶴甲団地・有野台団地 再生・活用プロジェクト

    栗山尚子, 後藤沙羅

    2021年03月, 令和2年度神戸大学地域連携活動報告書, 14 - 15, 日本語

    [招待有り]

    会議報告等

講演・口頭発表等

  • 有野台団地等 再生・活用プロジェクト

    栗山尚子, 後藤沙羅

    令和3年度地域創生に応える実践力養成ひょうご神戸プラットフォーム連絡会, 2022年02月16日

    [招待有り]

    その他

  • 伊丹潤の言説における【李朝】に関する建築思想

    後藤 沙羅, 末包 伸吾, 増岡 亮

    令和3年度(2021年度)日本建築学会近畿支部研究報告会, 2021年06月27日, 日本語

    口頭発表(一般)

所属学協会

  • 日本建築学会

    2016年 - 現在